For many, 2001 is a long time ago, though some still can’t believe it’s been two decades since then. And a lot of interesting and iconic music albums were released at that time – it’s a kind of time machine, a strong nostalgic experience, anyway, these albums are undoubtedly classics today.
Gorillaz – Gorillaz
The debut album from one of the weirdest virtual bands ever. It is here that iconic Clint Eastwood and 19-2000 songs appear, and the band starts to form their own mythology, their own separate universe.
Muse – Origin of Symmetry
The second Muse album is a real storm of cosmic melodies, tenderness and drive. Even today, 20 years later, Origin of Symmetry breaks personal space with its energy, literally bursting there.
Rammstein – Mutter
Exquisite and cult album of German band, incredible concentration of hits. Began a new page of the band’s life, and a victorious march of Rammstein all over the world.
Tool – Lateralus
Outstanding album from the American quartet, full of mystery and loaded with cultural references. Tool never quite managed to top themselves after this one, and the record itself, unlike anything else, takes its own place in the world of progressive metal.
Radiohead – Amnesiac
Amnesiac was recorded alongside Kid A, which demonstrated Thom Yorke and company’s thirst for a radical change towards electronics and away from guitars. On Amnesiac, the band continued to experiment, adding krautrock, jazz and classical to their genre arsenal.
System of a Down – Toxicity
The second album by these frantic American-Armenians gave us such masterpieces as Chop Suey, Aerials and Toxicity and brought SOAD closer to the mainstream, which they had already entered with the Mezmerize and Hypnotize dilogies. According to the site https://bestnetentcasino.info/en-ca/ this song used to create some slot machines of NetEnt provider.
Unwound – Leaves Turn Inside You
This is the “swan song” of one of the key bands of the American underground of the 1990s. Unwound have created a unique record of incredible beauty and emotionality that is hard to put into a specific genre. There is post-rock, art-rock, post-hardcore, progressive rock and a 9 out of 10 rating from Pitchfork snobs.
Converge – Jane Doe
An utterly insane masterpiece from one of the most influential metal, hardcore, punk bands of our time. For Converge themselves, this album was a commercial breakthrough that foreign critics are recognizing as one of the biggest and most influential in the genre.
Slipknot – Iowa
Another iconic and truly the best album from nine dudes in creepy masks. The band was on the verge of breaking up and the musicians themselves recall the time of the Iowa record as “the darkest of their career”. That’s why Iowa is so aggressive and with unabashed hatred for everything around them.
Fugazi – The Argument
The last album by one of the most influential bands of the American underground, which ironically became a commercial success. After which the band ceased to exist. On The Argument, Fugazi move away from post-hardcore and towards beautiful, melodic art-punk.
Sum 41 – All Killer No Filler
Canadians Sum 41’s debut album is a pop and skate-punk classic. Inspired by the bands Green Day, Rancid and The Beatles, the album immediately became one of the best-selling releases in Canada, the US and the UK.
Tattoo – 200 on the counter
Tatu’s debut album shattered all stereotypes of post-Soviet pop music. “I’m mad”, “They won’t catch up with us” – these songs were heard from every iron and are a powerful source of analysis of that time and youth sentiments for millennials of the present.
Depeche Mode – Exciter
The 1990s were a tough time for Depeche Mode, and particularly for Gahan. He suffered a clinical death from a drug overdose, and the band were on the verge of breaking up. Exciter is a rebirth album of sorts, with hits such as Dream On and I Feel Loved.
Blink-182 – Take Off Your Pants and Jacket
A concept album from American pop-punks dedicated to teenage experiences – rebelling against authority, falling in love, partying. Blink-182 became the voice of a generation, and Take Off Your Pants and Jacket debuted at number one on the Billboard 200 chart and was the first punk album to achieve such status.
D12 – Devil’s Night
The debut album by the cheeky funny rap group, which was Eminem’s first production job and the first release from his label Shady Records.
The White Stripes – White Blood Cells
The Elephant album with the all-time hit Seven Nation Army was two years away from release, but Jack and Meg White made quite the noise with White Blood Cells. The reimagining of the blues in a dirty sound wrapper appealed to critics and listeners alike. And the album was a breakthrough for the duo.
Daft Punk – Discovery
With their second album, French electronic act Daft Punk began to reinvent disco and grunge house. The album’s music shines and glitters like a disco ball, and Discovery is considered a conceptual record, the main theme of which is a reflection on the band’s childhood music, its pure, unvarnished perception.
The Strokes – Is This It
The debut album by New Yorkers The Strokes was hailed as one of the most influential releases, paving the way for mainstream genres such as garage rock and post-punk revival.
Bjrk – Vespertine
A quiet, chillingly beautiful album of intimate electronica, which Björk recorded while filming “Dancer in the Dark” and with director Lars von Trier.
Opeth – Blackwater Park
This album was the point of no return for the Swedish metallers Opeth. It was on this work that the band completely changed their style and started playing complex, massive progressive metal. Much of the credit goes to Stephen Wilson of Porcupine Tree, with whom Opeth began a long-term musical friendship.
Britney Spears – Britney
On this album, “America’s Last Virgin” has decided to move away from the usual image of an obedient mum’s daughter. Britney’s image has become defiant, the album takes on themes of sexuality and growing up.
Jay-Z – The Blueprint
Jay-Z recorded this album while awaiting trial for assault and weapons possession. At the time, he was one of the most hated rappers in the hip-hop scene. However, this did not stop the disgraced rapper from releasing one of the biggest hip-hop albums of the 2000s.
Slayer – God Hates Us All
The legendary band Slayer, one of thrash metal’s big four along with Metallica, Anthrax and Megadeth, released their ninth album with the wondrous title “God Hates Us All” on September 11, 2001 – the day of the horrific terrorist attack in US history. An incredibly aggressive record, dedicated to religion and revenge.
Pink – Missundaztood
The second album from one of the biggest pop singers of the 2000s gave us the defiant hit Get the Party Started and the touching Family Portrait. Also Missundaztood is one of the biggest-selling albums of the 2000s – 13 million copies worldwide is no joke.
P.O.D. – Satellite
Like Slayer, Christian nu-metal adepts P.O.D. released their hit album on September 11th. It’s a fine record with a balance between aggression and lyrics, with strong lyrics – only Youth Of The Nation song dedicated to American school shootings is worth of it.
Thursday – Full Collapse
With this album, the sensual and simultaneously angry Americans of Thursday have become an important part of the post-hardcore and emo scene. Full Collapse is a tender, beautiful and heart-rending album with beautifully broken rhythms and fascinating guitar parts, a veritable storm of naked emotion.
Jennifer Lopez – J.Lo.
This album is the most successful commercially of Jennifer Lopez’s career, propelling her to the status of one of the pop icons of the 2000s and on which the singer skilfully balances latino-pop, R&B and dance-pop.
Aphex Twin – drukqs
Aphex Twin released this double album for an hour and a half out of fear that tracks from it would appear on the internet after he lost his MP3 player with them in an aeroplane cabin. After releasing drukqs, the iconic electronic artist didn’t release an album for a full 13 years, until 2014.
The National – The National
One of the most melancholy bands of our time, The National, also debuted in 2001. On the debut of the same name the band already had a distinctive style of light and nostalgic country-rock about life in all its beauty and simplicity.
Tomahawk – Tomahawk
The restless Mike Patton, lead vocalist of Faith No More and Mr. Bungle, has assembled a supergroup of musicians from other cult supergroups The Jesus Lizard, elmet and Melvins and has released an energy-defying album of dark alternative metal about a serial killer and what goes on inside his head.
Black Rebel Motorcycle Club – B.R.M.C.
Black Rebel Motorcycle Club’s debut album defined their sound for the next 20 years. It is a great mix of garage and psychedelic rock with elements of blues, catchy melodies, driving and Peter Geyes’ charismatic, tired vocals.
The Crystal Method – Tweekend
The second album from American big beat and electronic adepts of the year, featuring Rage Against The Machine guitarist Tom Morello and Stone Temple Pilots vocalist Scott Weiland. The album features one of The Crystal Method’s biggest hits, Name Of The Game.
Shakira – Laundry Service.
Objection (Tango) and Whenever, Wherever are the hits from the fifth and first English language album with which Shakira burst onto the American music market and became, along with J Lo, Britney Spears, Pink and Aguilera, one of the top five pop virgins of the 2000s.
No Doubt – Rock Steady
With their fifth album, Gwen Stefani and company decided to break into the territory of electropop, new wave and dancehall – a genre of popular Jamaican music. And they did it perfectly – the album just makes the body move.
Destiny’s Child – Survivor
It was with this band that Beyoncé’s impressive career started. And it was Survivor that was one of the annoying hits of 2001. But a hit is a hit to cling to the consciousness like a tick.